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reference to the Peloponnesian War (734), it indulges in curiously direct denunciations of the Spartans (445 ff., 595 ff.), and the Spartan Menelaus is the villain of the piece—a more stagey villain than Euripides in his better moments would have permitted. We have also one doubtful external record of our poet's temporary faith in Alcibiades. In the year 420 there fell an observance of the Olympian Festival, the greatest of all the Pan-Hellenic Games, which carried with it a religious truce. Alcibiades succeeded in getting Sparta convicted of a violation of this truce, and consequently excluded from the Festival, which was a marked blow at her prestige. Then, entering himself as a competitor, he won with his own horses a whole series of prizes, including the first, in the four-horse chariot competition. And Plutarch, in his Life of Alcibiades, refers to a Victory Ode which was written for him on this occasion, "as report goes, by the poet Euripides" (ch, 11). This revival of the Pindaric Epinikion for a personal victory would fit in with the known character of Alcibiades; and it would be a sharp example of the irony of history if Euripides consented to write the Ode.