INTRODUCTION TO NOTES
EVER since the Brothers Grimm in 1812 made for the first time a fairly complete collection of the folk-tales of a definite local or national area in Europe, the resemblance of many of these tales, not alone in isolated incidents but in continuous plots, has struck inquirers into these delightful little novels for children, as the Italians call them (Novelline). Wilhelm Grimm, in the comparative notes which he added to successive editions of the Mährchen up to 1859, drew attention to many of these parallels and especially emphasized the resemblances of different incidents to similar ones in the Teutonic myths and sagas which he and his brother were investigating. Indeed it may be said that the very considerable amount of attention that was paid to the collection of folk tales throughout Europe for the half century between 1840 and 1890 was due to the hope that they would throw some light upon the origins of mythology. The stories and incidents common to all the European field were thought likely to be original mythopœic productions of the Indo-European peoples just in the same manner as the common roots of the various Aryan languages indicated their original linguistic store.
In 1864 J. G. von Hahn, Austrian Consul for Eastern Greece, in the introduction to his collection of Greek and Albanian folk tales, made the first attempt to bring together in systematic form this common story-store of Europe and gave an analysis of forty folk-tale and saga "formulæ," which outlined the plots of the stories found scattered
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