our, I really don't know what I've come up here for. I've no business here."
Just then he turned a corner and came face to face with Ronald Breton. The young barrister was now in his wig and gown and carried a bundle of papers tied up with pink tape; he was escorting two young ladies, who were laughing and chattering as they tripped along at his side. And Spargo, glancing at them meditatively, instinctively told himself which of them it was that he and Rathbury had overheard as she made her burlesque speech: it was not the elder one, who walked by Ronald Breton with something of an air of proprietorship, but the younger, the girl with the laughing eyes and the vivacious smile, and it suddenly dawned upon him that somewhere, deep within him, there had been a notion, a hope of seeing this girl again—why, he could not then think.
Spargo, thus coming face to face with these three, mechanically lifted his hat. Breton stopped, half inquisitive. His eyes seemed to ask a question.
"Yes," said Spargo. "I—the fact is, I remembered that you said you were coming up here, and I came after you. I want—when you've time—to have a talk, to ask you a few questions. About—this affair of the dead man, you know."
Breton nodded. He tapped Spargo on the arm.
"Look here," he said. "When this case of mine is over, I can give you as much time as you like. Can you wait a bit? Yes? Well, I say, do me a favour. I was taking these ladies round to the gallery—round there, and up the stairs—and I'm a bit pressed for time—I've
