best part of their lives, seem to have missed him.
There are still other consequences when one follows Leonardo's dictum. Instead of acting and producing one just investigates. He who begins to divine the grandeur of the universe and its needs readily forgets his own insignificant self. When one is struck with admiration and becomes truly humble he easily forgets that he himself is a part of that living force, and that according to the measure of his own personality he has the right to make an effort to change that destined course of the world, the world in which the insignificant is no less wonderful and important than the great.
Solmi thinks that Leonardo's investigations started with his art,[1] he tried to investigate the attributes and laws of light, of color, of shades and of perspective so as to be sure of becoming a master in the imitation of nature and to be able to show the way to others. It
- ↑ La resurrezione, etc., p. 8: “Leonardo placed the study of nature as a precept to painting . . . later the passion for study became dominating, he no longer wished to acquire science for art, but science for science' sake.”