composed, his grandfather met him as if he knew nothing, and kept up the delusion very successfully, for an hour or two. But when they sat together in the twilight, the time they used to enjoy so much, it was hard work for the old man to ramble on as usual, and harder still for the young one to listen to praises of the last year's success, which to him now seemed love's labor lost. He bore it as long as he could, then went to his piano, and began to play. The windows were open; and Jo, walking in the garden with Beth, for once understood music better than her sister, for he played the "Sonata Pathetique," and played it as he never did before.
"That's very fine, I dare say, but it's sad enough to make one cry; give us something gayer, lad," said Mr. Laurence, whose kind old heart was full of sympathy, which he longed to show, but knew not how.
Laurie dashed into a livelier strain, played stormily for several minutes, and would have got through bravely, if, in a momentary lull, Mrs. March's voice had not been heard calling,—
"Jo, dear, come in; I want you."
Just what Laurie longed to say, with a different meaning! As he listened, he lost his place; the music ended with a broken chord, and the musician sat silent in the dark.
"I can't stand this," muttered the old gentleman—up he got, groped his way to the piano, laid a kind hand on either of the broad shoulders, and said, as gently as a woman,—
"I know, my boy, I know."
No answer for an instant; then Laurie asked, sharply,—