to have lost the keen edge of their interest in each other’s proceedings. Sunray was very much in love with Sarnac and glad, and Sarnac was always happy and pleasantly exalted when Sunray was near him. Sunray was the richer-hearted and cleverer lover. They talked of everything in the world but Sarnac’s work because that had to rest and grow fresh again. Of her own work Sunray talked abundantly. She had been making stories and pictures of happiness and sorrow in the past ages of the world, and she was full of curious speculations about the ways in which the ancestral mind has thought and felt.
They played with boats upon the great lake for some days, they sailed and paddled and drew up their canoe among the sweet-scented rushes of the islands and bathed and swam. They went from one guest-house to another upon the water and met many interesting and refreshing people. In one house an old man of ninety-eight was staying: he was amusing his declining years by making statuettes of the greatest beauty and humour; it was wonderful to see the clay take shape in his hands. Moreover, he had a method of cooking the lake fish that was very appetising, and he made a great dish of them so that everyone who was dining in the place could have some. And there was a musician who made Sunray talk about the days gone by, and afterwards he played music with his own hands on a clavier to express the ancient feelings of men. He played one piece that was, he explained, two thousand years old; it was by a man named Chopin, and it was called the Revolutionary Etude. Sunray could not have believed a piano capable of such passionate
