surprising ferocity in his voice, charging the little hill before him as though he charged at Time.
They had to wait at Nailsworth for a telegram from Mr. Grammont’s agents; they lunched there and drove on to Bath in the afternoon. They came into the town through unattractive and unworthy outskirts, and only realized the charm of the place after they had garaged their car at the Pulteney Hotel and walked back over the Pulteney Bridge to see the Avon with the Pump Room and the Roman Baths. The Pulteney they found hung with pictures and adorned with sculpture to an astonishing extent; some former proprietor must have had a mania for replicas and the place is eventful with white marble fauns and sylphs and lions and Cæsars and Queen Victorias and packed like an exhibition with memories of Rome, Florence, Milan, Paris, the National Gallery and the Royal Academy, amidst which splendours a competent staff administers modern comforts with an old-fashioned civility. But round and about the Pulteney one has still the scenery of Georgian England, the white, faintly classical terraces and houses of the days of Fielding, Smollett, Fanny Burney and Jane Austen, the graceful bridge with the bright little shops full of “presents from