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estimation, when he is already a man in two or three directions, and still a child in a score of others, when he has read Ducray-Duminil at eleven years of age, Auguste la Fontaine at thirteen, Shakespeare at sixteen, — a strange and rapid scale, which leads abruptly, in the matter of literary taste, from the silly to the sentimental, from the sentimental to the sublime.

We give this book back to the world in 1833 as it was written in 1821, because we feel that the work, ingenuous, if nothing else, gives a tolerably faithful picture of the age that produced it.

Moreover, the author, small as may be his place in literature, having undergone the common fate of every writer, great or small, and seen his first works exalted at the expense of the latest, and having heard it declared that he was far from having fulfilled the promise of his youth, deems it his duty, not to oppose to a criticism, perhaps wise and just, objections which might seem suspicious from his lips, but to reprint his first works simply and literally as he wrote them, that his readers may decide, so far as he is concerned, whether it be a step forward or backward that divides "Hans of Iceland" from "Nôtre- Dame de Paris."

PARIS, May, 1833.