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HARD-PAN
11

the crowd and clangor of the wide thoroughfare, and plunged into the streets beyond.

Here at once the wayfarer feels himself in a locality whence prosperity and fashion have withdrawn themselves. The ill-lit streets, the small and squalid shops, the sordid faces of the passers-by, tell their own tale of a region fallen from grace. John Gault had too often passed this way for the ruinous aspect of the surroundings to possess any interest for him. With a thin thread of cigarette smoke streaming out above his upturned collar, he passed on rapidly through the patches of shadow and garish light from show-windows. People turned and looked at him sharply, his noticeable figure being an unusual one in that locality. To one watching it might have seemed that this curiosity annoyed him, for he quickened his pace, and at the first side street turned off to the left.

There were fewer wayfarers here; the lamps were far apart, and on either hand the dark forms of huge houses, their façades showing only an occasional light in an upper window, loomed vague and forbidding. The dreariness of desertion seemed to hold them in a spell, as they rose, brooding and black, from the dimness of overgrown gardens. This had been one of the great streets in San Francisco's splendid heyday. Here millionairedom had built its palaces and held its revels. John Gault remem-