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HARD-PAN

and he was proud of his keenness in detecting such intentions.

At twenty-two he had come from Harvard to San Francisco, had plunged into the fashionable life of the day, and being the son of wealthy and well-known parents, had quickly learned the bitter lessons which society teaches its followers. People said John Gault had never married because he believed in no woman. This was an aspersion upon his sound, if narrow, common sense. He was afraid of marriage, of a terrible disillusionment, followed by a lifetime of conventionally correct misery. What he feared in it was himself. He dreaded that he might not make the woman he married happy, and deep in his soul he cherished the same dream as Balzac, who once wrote: "To devote myself to the happiness of a woman has been my ceaseless dream, and I suffer because I have not realized it." With the passage of the years he had grown narrower and more ambitionless. When he met Viola Reed he was sinking into the dull apathy of a self-engrossed and purposeless middle age.

Her attraction for him was sudden and compelling. He often wondered why he liked her so much. He had known hundreds of women who were prettier and quite as clever. About Viola there was a curious, distinguishing touch of refinement that he did not find in many of