in a manner that must be attended to. And to what purpose are the resources of our art, if they are not to supply the deficiencies imposed on Nature in consequence of our artificial state of living? Perfection of every kind is ideal, or rarely met with, and what the artist in dress has to do is to soften the natural excrescences, and give grace and beauty to the homely or imperfect, that they may approximate nearer to that which they ought to be. In a few rare instances this may be done without corsets, but in ninety-nine cases out of every hundred the well-adapted corset is indispensable.
MARGARET, WIFE OF LOUIS, KING OF FRANCE, A.D. 1234.
It is hardly possible to say at what particular period stays or corsets were first worn. Tight Lacing is condemned by writers soon after the Conquest, indeed in the reign of William Rufus; but it does not follow that stays were necessarily worn at that time, and an inspection of a great number of ancient paintings and illuminations induces us to believe that they were not. In Strutt's "Antiquities," Plate XXXIV., there is a beautiful sketch of Queen Matilda, A.D. 1100, who is wearing
