Page:In defense of Harriet Shelley, and other essays.djvu/135

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MENTAL TELEGRAPHY

I had read portions of Mr. Howells s story, both in MS. and in proof, before the lady offered her contribution to the magazine.

Here is another case. I clip it from a newspaper:

The republication of Miss Alcott s novel Moods recalls to a writer in the Boston Post a singular coincidence which was brought to light before the book was first published: "Miss Anna M. Crane, of Baltimore, published Emily Chester, a novel which was pronounced a very striking and strong story. A comparison of this book with Moods showed that the two writers, though entire strangers to each other, and living hun dreds of miles apart, had both chosen the same subject for their novels, had followed almost the same line of treatment up to a certain point, where the parallel ceased, and the denouements were entirely opposite. And even more curious, the leading characters in both books had identically the same names, so that the names in Miss Alcott s novel had to be changed. Then the book was published by Loring."

Four or five times within my recollection there has been a lively newspaper war in this country over poems whose authorship was claimed by two or three different people at the same time. There was a war of this kind over "Nothing to Wear," "Beautiful Snow," "Rock me to Sleep, Mother," and also over one of Mr. Will Carleton s early ballads, I think. These were all blameless cases of unintentional and unwitting mental telegraphy, I judge.

A word more as to Mr. Wright. He had had his book in mind some time; consequently he, and not I, had originated the idea of it. The subject was entirely foreign to my thoughts; I was wholly ab sorbed in other things. Yet this friend, whom I had not seen and had hardly thought of for eleven years, was able to shoot his thoughts at me across

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