Page:Indian Shipping, a history of the sea-borne trade and maritime activity of the Indians from the earliest times.djvu/69

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HINDU PERIOD

or string. "It represents a river or a sheet of fresh water with a canoe crossing it, and carrying three men in the ascetic priestly costume, two propelling and steering the boat, and the central figure, with hands resting on the gunwale, facing towards four ascetics, who are standing in reverential attitude at the water's edge below."[1] According to Sir A. Cunningham,[2] the figures in the boat represent Sakya Buddha and his two principal followers; and Buddha himself has been compared in many Buddhist writings to "a boat and oar in the vast ocean of life and death."[3] But General F. C. Maisley is inclined to view this sculpture "as representing merely the departure on some expedition or mission of an ascetic, or priest, of rank amid the reverential farewells of his followers."[4] His main reasons for supporting this view are, firstly, that no representations of Buddha in human shape were resorted to until several centuries later than the date of these sculptures; and, secondly, because the representation is that of a common thong-bound canoe and not of a sacred barge suiting the great Buddha. There is another sculpture to be found on the Western Gateway of No. 1 Stupa at Sanchi which "represents a piece of water, with a barge

  1. General F. C. Maisley, Sanchi and its Remains, p. 42.
  2. The Bhilsa Topes, 27.
  3. Foe-koue-ki, ch. xxiv., note 11.
  4. Sanchi and its Remains, p. 43.

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