Among them were eight letters, not directed, or dated, or signed, but which were recognised by those who saw them to be in the handwriting of the queen.
Towards the end of July it began to be whispered, by Moray in London, by Throckmorton at Edinburgh, that they proved her complicity in the death of Darnley, and justified the Lords in deposing her. In the following year, when Mary had sought a refuge in England, these papers were produced, and they furnished the argument by which Elizabeth justified the detention of the Scottish queen. The decisive piece is a long document, known as the Glasgow letter, which alludes distinctly to the intended crime. As it contains a conversation with Darnley, which he repeated to Crawford, one of his officers, the confirmation thus supplied caused it to be widely accepted at the time, and by the four writers I named just now.
That is what puts them out of court; for the letter was evidently concocted by men who had Crawford's report before them. The letter is spurious, and it is the only one that connects the queen with the death of Darnley. It does not follow that the others are spurious, for they add nothing to the case. The forgers, having constructed the damning piece, would not be likely to do more. Every additional forgery would increase the risk of detection, without any purpose. What purported to be the originals do not exist. They can be traced down to 1584, and no farther. The handwriting can no longer be tested. Until lately, the French text of the letters was not known, and they could be studied only in translations.
Since 1872, when the Hatfield letters were discovered, and were printed at Brussels, we possess four in their original shape. These cannot be seriously impeached. The comparison of the style and language with that of Mary's undisputed writings shows that they correspond; and they do not resemble in the same degree those of her contemporaries. The ablest of Mary's advocates accept these letters as genuine. But they deny that they were written to Bothwell. The writer speaks of a secret
