fourpence. We have most splendid boxes of toys in the show room, beautiful, elegant. I am writing the poetry that you like very much in my copy book. Good night. I must depart from the workshop.
October 16, 1855.
To Emily.
Tell Miss Cons that I often wish she were here; she would appreciate so much the beauty of everything. She would rejoice to look at the gigantic trees holding themselves so still, with, here and there, a branch all gold or copper coloured, and the brilliant berries; to trace the light wreaths of briony not yet transformed into streams of gold, but just changed enough from their summer green to tell you their own individual story, how they grew deep down in the hedge, and then climbed up clinging for strength even to thorny branches, even to leafless ones; they tell how they trust themselves, and tangle and knot themselves closer and closer; one wreath only impatient for light and sunlight, running up some spray of rose or bramble; and then, as if content to be made more and more like that sun, rests on its thorny pillar and stretches down its golden arms to its friends below, every leaf telling the same story as the whole plant; beginning in darkness, ending in light; beginning in life, ending in glorified death; beginning in green, ending in gold; beginning in massive strength, ending in spiritual power. But it is of you and A. I think, when, gathered round the fire in an evening, we talk of the Guild, of Kuskin, of the poor, of education, of politics and history.
