with wrath and scorn. Though decidedly shaken by the fall of the tower upon him, Roderigo defied the old gentleman, and refused to stir. This dauntless example fired Zara; she also defied her sire, and he ordered them both to the deepest dungeons of the castle. A stout little retainer came in with chains, and led them away, looking very much frightened, and evidently foretting the speech he ought to have made.
Act third was the castle hall; and here Hagar appeared, having come to free the lovers and finish Hugo. She hears him coming, and hides; sees him put the potions into two cups of wine, and bid the timid little servant "Bear them to the captives in their cells, and tell them I shall come anon." The servant takes Hugo aside to tell him something, and Hagar changes the cups for two others which are harmless. Ferdinando, the "minion," carries them away, and Hagar puts back the cup which holds the poison meant for Roderigo. Hugo, getting thirsty after a long warble, drinks it, loses his wits, and after a good deal of clutching and stamping, falls flat and dies; while Hagar informs him what she has done in a song of exquisite power and melody.
This was a truly thrilling scene; though some persons might have thought that the sudden tumbling down of a quantity of long hair rather marred the effect of the villain's death. He was called before the curtain, and with great propriety appeared leading Hagar, whose singing was considered more wonderful than all the rest of the performance put together.
Act fourth displayed the despairing Roderigo on the point of stabbing himself, because he has been told