pering tenderly, "I hope you'll have a good night, my poor dear."
Beth had her troubles as well as the others; and not being an angel, but a very human little girl, she often "wept a little weep," as Jo said, because she couldn't take music lessons and have a fine piano. She loved music so dearly, tried so hard to learn, and practised away so patiently at the jingling old instrument, that it did seem as if some one (not to hint Aunt March) ought to help her. Nobody did, however, and nobody saw Beth wipe the tears off the yellow keys, that wouldn't keep in tune when she was all alone. She sung like a little lark about her work, never was too tired to play for Marmee and the girls, and day after day said hopefully to herself, "I know I'll get my music some time, if I'm good."
There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully, that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.
If anybody had asked Amy what the greatest trial of her life was, she would have answered at once, "My nose." When she was a baby, Jo had accidentally dropped her into the coal-hod, and Amy insisted that the fall had ruined her nose forever. It was not big, nor red, like poor "Petrea's;" it was only rather flat, and all the pinching in the world could not give it an aristocratic point. No one minded it but herself, and it was doing its best to grow, but Amy felt deeply
