stage with clothes worth £500.[1] All this was to be screwed out of the pockets of the public."
The whole state of the popular mind at the time was suffering from the reflux of the revolutionary tide that had swept over France some years before. The way, indeed, in which the authorities behaved during the seventy nights the riots lasted, leads us to think that they were aware of the undercurrent of political excitement, and were glad to see it diverted into a channel that did not menace Church and State. In no other country in the world would such a state of things have been allowed to go on night after night. A magistrate now and then feebly appeared on the stage, and read inaudibly the Riot Act. On one occasion the public climbed the stage, and were only deterred from personally attacking the actors by the sudden opening of all the traps. A lady received an ovation for lending a pin to fasten a manifesto to one of the boxes, and the whole house was placarded with offensive mottoes. The proprietors had recourse to giving away orders to admit their own partisans. This led to furious fighting and scuffling. Pigeons were let loose, as symbols that the public were pigeoned; aspersions were cast on the morality of the private boxes; the leaders of the riot incited the crowd to further excesses by inflammatory speeches. On the sixth night Kemble came forward to announce that Catalani's engagement, one of the great grievances, was cancelled, and that the business books of the proprietors would be examined
- ↑ On the first night of the O. P. riots, we are told the actress wore a costume fashioned after the bridal suit of the unfortunate Queen of Scots, and was a perfect blaze with the jewels in the stomacher of the dress, as well as upon her hair and around her neck.
