The same vivid interest was taken in dramatic situations. It was a common thing for women—and, indeed, men also—to be carried out fainting; and as to the crying and sobbing, it was generally audible all over the house. In a pathetic piece, Miss Burney describes two young ladies, who sat in a box above her, being both so much shocked at the death of Douglas that "they both burst into a loud fit of roaring, and sobbed on afterwards for almost half the farce." Needless to say, therefore, the enthusiasm a beautiful young actress like Mrs. Siddons would create. It was not, however, immediate; she was obliged, as we have seen, to personate subordinate characters, and was obliged to act in comedy that did not suit her.
Thursdays were the nights of the Cotillon balls at Bath, and of the assemblies at Lady Miller's, of Bath Easton vase celebrity, which are alluded to by Horace Walpole: "They hold a Parnassus fair every Thursday, before the balls, give out rhymes and themes, and all the flux at Bath contend for the prizes. A Roman vase, dressed with pink ribbons and myrtles, receives the poetry, which is drawn out every festival. Six judges of these Olympic games retire and select the brightest compositions, which the respective successful ten candidates acknowledge."
These events always emptied the theatre, and it was one of the young actress's grievances that for a time she was put forward—no doubt owing to the claims of the leading ladies—on these occasions. Gradually, however, her attraction increased, and on various occasions she succeeded in drawing the frequenters of the balls to the theatre. She brought tragedies into fashion, and in The Mourning Bride, Juliet, the Queen in
