Nostromo: A Tale of the Seaboard
become a poet like that other foreigner of Spanish blood, José Maria Herédia. In other moments he had, to pass the time, condescended to write articles on European affairs for the Semenario, the principal newspaper in Sta. Marta, which printed them under the heading, "From our special correspondent," though the authorship was an open secret. Everybody in Costaguana, where the tale of compatriots in Europe is jealously kept, knew that it was "the son Decoud," a talented young man, supposed to be moving in the higher spheres of Society. As a matter of fact, he was an idle boulevardier, in touch with some smart journalists, made free of a few newspaper offices, and welcomed in the pleasure haunts of pressmen. This life, whose dreary superficiality is covered by the glitter of universal blague, like the stupid clowning of a harlequin by the spangles of a motley costume, induced in him a Frenchified—but most un-French—cosmopolitanism, in reality a mere barren indifferentism posing as intellectual superiority. Of his own country he used to say to his French associates:—"Imagine an atmosphere of opera-bouffe in which all the comic business of stage statesmen, brigands, etc., etc., all their farcical stealing, intriguing, and stabbing is done in dead earnest. It is screamingly funny; the blood flows all the time, and the actors believe themselves to be influencing the fate of the universe. Of course, government in general, any government anywhere, is a thing of exquisite comicality to a discerning mind; but really we Spanish-Americans do overstep the bounds. No man of ordinary intelligence can take part in the intrigues of une farce macabre,
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