glass, and she turned her neck, and just as I’d said ‘snip,’ I saw her saying it in the glass; and you never saw anything so funny. It was enough to make anybody laugh; but Miss Rose, she seemed as if she couldn’t forget how ugly it had made her look. She covered her face with her hands, and she shuddered! It is a word—snip! that makes you seem to despise yourself.”
Beckley was now in sight from the edge of the downs, lying in its foliage dark under the grey sky backed by motionless mounds of vapour. Miss Wheedle to her great surprise was suddenly though safely dropped; and on her return to the ground the damsel instantly “knew her place,” and curtsied becoming gratitude for his kindness: but he was off in a fiery gallop, the gall of Demogorgon in his soul.
What’s that the leaves of the proud old trees of Beckley Court hiss as he sweeps beneath them? What has suddenly cut him short? Is he diminished in stature? Are the lackeys sneering? The storm that has passed has marvellously chilled the air.
His sister, the Countess, once explained to him what Demogorgon was, in the sensation it entailed. “You are skinned alive!” said the Countess. Evan was skinned alive. Fly, wretched young man! Summon your pride, and fly! Fly, noble youth, for whom storms specially travel to tell you that your mistress makes faces in the looking-glass! Fly where human lips and noses are not scornfully distorted, and get thee a new skin, and grow and attain to thy natural height in a more genial sphere! You, ladies and gentlemen, who may have had a matter to conceal, and find that it is oozing out: you, whose skeleton is seen stalking beside you, you know what it is to be breathed upon: you, too, are skinned alive: but this miserable youth is not only flayed, he is doomed calmly to contemplate the hideous image of himself burning on the face of her he loves; making beauty ghastly. In vain—for he is two hours behind the dinner-bell. Mr. Burley, the butler, bows and offers him viands and wine. How can he eat, with the phantom of Rose there, covering her head, shuddering, loathing him? But he must appear in company: he has a coat, if he has not a skin. Let him button it, and march boldly. Our comedies are frequently youth’s tragedies. We will smile reservedly as we mark Mr. Evan Harrington step into the midst of the fair society of the drawing-room. Rose is at the piano. Near her reclines the Countess de Saldar, fanning the languors from her cheeks, with a word for the diplomatist on one side, a whisper for Sir John Loring on the other, and a very quiet pair of eyes for everybody. Providence, she is sure, is keeping watch to shield her sensitive cuticle; and she is besides exquisitely happy, albeit outwardly composed: for, in the room sits his Grace the Duke of Belfield newly arrived. He is talking to her sister, Mrs. Strike, masked by Miss Current. The wife of the Major has come this afternoon, and Andrew Cogglesby, who brought her, chats with Lady Jocelyn, like an old acquaintance.
Evan shakes the hands of his relatives. Who shall turn over the leaves of the fair singer’s music-book? The young men are in the billiard room: Drummond is engaged in converse with a lovely person with Giorgione hair, which the Countess intensely admires, and asks the diplomatist whether he can see a soupçon of red in it. The diplomatist’s taste is for dark beauties: the Countess is dark.
Evan must do duty by Rose. And now occurred a phenomenon in him. Instead of shunning her, as he had rejoiced in doing after the Jocasta scene, ere she had wounded him, he had a curious desire to compare her with the phantom that had dispossessed her in his fancy. Unconsciously when he saw her, he transferred the shame that devoured him, from him to her, and gazed coldly at the face that could twist to that despicable contortion.
He was in love, and subtle love will not be shamed and smothered. Love sits, we must remember, mostly in two hearts at the same time, and the one that is first stirred by any of the passions to wakefulness, may know more of the other than its owner. Why had Rose covered her head and shuddered? Would the girl feel that for a friend? If his pride suffered, love was not so downcast; but to avenge him for the cold she had cast on him, it could be critical, and Evan made his bearing to her a blank.
This somehow favoured him with Rose. Sheep’s eyes are a dainty dish for little maids, and we know how largely they indulge in it; but when they are just a bit doubtful of the quality of the sheep, let the good animal shut his lids forthwith, for a time. Had she not been a little unkind to him in the morning? She had since tried to help him, and that had appeased her conscience, for in truth he was a good young man. Those very words she mentally pronounced, while he was thinking, “Would she feel it for a friend?” We dare but guess at the puzzle young women present now and then, but I should say that Evan was nearer the mark, and that the “good young man” was a sop she threw to that within her that wanted quieting, and was thereby passably quieted. Perhaps the good young man is offended? Let us assure him of our disinterested graciousness.
“Is your friend coming?” she asked, and to his reply said, “I’m glad;” and pitched upon a new song—one that, by hazard, did not demand his attentions, and he surveyed the company to find a vacant seat with a neighbour. Juley Bonner was curled up on the sofa, looking like a damsel who has lost the third volume of an exciting novel, and is divining the climax. He chose to avoid Miss Bonner. Drummond was leaving the side of the Giorgione lady. Evan passed leisurely, and Drummond said:
“You know Mrs. Evremonde? Let me introduce you.”
He was soon in conversation with the glorious-haired dame.
“Excellently done, my brother!” thinks the Countess de Saldar.
Rose sees the matter coolly. What is it to her? But she has finished with song. Jenny takes her place at the piano; and, as Rose does not care for instrumental music, she naturally