the immediate war at home, to illustrate his triumph, and adorn the city, carried away with him a great number of the most beautiful ornaments of Syracuse. For, before that, Rome neither had, nor had seen, any of those fine and exquisite rarities; nor was any pleasure taken in graceful and elegant pieces of workmanship. Stuffed with barbarous arms and spoils stained with blood, and everywhere crowned with triumphal memorials and trophies, she was no pleasant or delightful spectacle for the eyes of peaceful or refined spectators: but, as Epaminondas named the fields of Bœotia the stage of Mars; and Xenophon called Ephesus the workhouse of war; so, in my judgment, may you call Rome, at that time, (to use the words of Pindar,) "the precinct of the peaceless Mars." Whence Marcellus was more popular with the people in general, because he had adorned the city with beautiful objects that had all the charms of Grecian grace and symmetry; but Fabius Maximus, who neither touched nor brousrht awav anv thins; of this kind from Tarentum, when he had taken it, was more approved of by the elder men. He carried off the money and valuables, but forbade the statues to be moved; adding, as it is commonly related, "Let us leave to the Tarentines these offended gods." They blamed Marcellus, first, for placing the city in an invidious position, as it seemed now to celebrate victories and lead processions of triumph, not only over men, but also over the gods as captives; then, that he had diverted to idleness, and vain talk about curious arts and artificers, the common people, which, bred up in wars and agriculture, had never tasted of luxury and sloth; and, as Euripides said of Hercules, had been
Rude, unrefined, only for great things good,
so that now they misspent much of their time in examining and criticizing trifles. And yet, notwithstanding this
