of the families, in which Mrs. Audubon was a governess during this period, has furnished Dr. Shufeldt with a childhood's reminiscence of the naturalist. "He was with us," she says, "eight months, but during the greater part of the time was wandering all over the State, walking almost the entire time; no insect, worm, reptile, bird, or animal escaped his notice. He would make a collection, return home and draw his crayon-sketches, when his son John would stuff the birds and such animals as he wished to preserve."
In the spring of 1824, Audubon, with two hundred drawings, representing about a thousand birds, went to Philadelphia in order obtain help to complete his ornithological work. He was soon satisfied, it is said in Mrs. Audubon's "Life," that the venture would be successful. Having purchased a new suit of clothes and dressed himself with extreme neatness, he called upon Dr. Mease, an old friend, and was introduced by him to several artists, who paid him pleasant attentions. He was also introduced to Prince Canino, son of Lucien Bonaparte, "who examined my birds," Audubon writes, "and was complimentary in his praises. He was at the time engaged on a volume of American birds, which was soon to be published; but this did not prevent him from admiring another naturalist's work.—April 12th. Met the prince at Dr. Mease's, and he expressed a wish to examine my drawings more particularly. I found him very gentlemanly. He called in his carriage and took me to Peale, the artist, who was drawing specimens of birds for his work; but from want of knowledge of the habits of birds in a wild state, he represented them as if seated for a portrait, instead of their own lively, animated ways when seeking their natural food or pleasure. Other notable persons called to see my drawings, and encouraged me with their remarks. The Prince Canino introduced me to the Academy of Arts and Sciences, and pronounced my birds superb and worthy of a pupil of David. I formed the acquaintance of Le Sueur, the zoölogist and artist, who was greatly delighted with my drawings." Audubon was engaged by Prince Canino to superintend his drawings intended for publication; but his terms being much dearer than Alexander Wilson's, he was asked to discontinue his work. "I had now," he writes, "determined to go to Europe with my 'treasures,' since I was assured nothing so fine in the way of ornithological representations existed. I worked incessantly to complete my series of drawings. On inquiry, I found Sully and Le Sueur made a poor living by their brush. I had some pupils offered at a dollar per lesson; but I found the citizens unwilling to pay for art, although they affected to patronize it. I exhibited my drawings for a week, but found the show did not pay, and so determined to remove myself."
Thus, notwithstanding the pleasant social aspect of his reception in Philadelphia, he does not appear to have been encouraged in its material promise; and he met with a misfortune which would have depressed the spirits of the bravest and most sanguine. His plates,
