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Pre-Raphaelitism
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ored sketches on this journey, and realized several of them on his return. The drawings thus produced are different from all that had preceded them, and are the first which belong definitely to what I shall henceforth call his third period.

The perfect repose of his youth had returned to his mind, while the faculties of imagination and execution appeared in renewed strength; all conventionality being done away with by the force of the impression which he had received from the Alps, after his long separation from them. The drawings are marked by a peculiar largeness and simplicity of thought; most of them by deep serenity, passing into melancholy; all by a richness of color, such as he had never before conceived. They, and the works done in following years, bear the same relation to those of the rest of his life that the colors of sunset do to those of the day; and will be recognized, in a few years more, as the noblest landscapes ever yet conceived by human intellect.

Such has been the career of the greatest painter of this century. Many a century