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THE SONG OF THE BAYONET
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itself. It's the bayonet I talk to them about, and where to put it, and how to use it. As you know yourself, sir, a man will shoot to kill, where he'll hesitate to use his bayonet—if he's new."

"That's so. It's instinctive at times."

"Bedad, sir, they have no instinct when I've finished with them—save one. Kill clean and kill fast; and God help you if you slip. ..."

It is possible that when a person has given no thought to war, and the objects of war, this distinction may seem strange. Death is a big matter to the average being, and one of some finality; and the manner of one's going may strike him as of little account. In which assumption he is perfectly right—if he is the member of the party who is going to be killed. But that is not the idea which a man going into a scrap should hold for a moment. A man goes into a scrap to kill—not to be killed. To die for one's country may be glorious; to kill for one's country is very much more so, and a deuced sight less uncomfortable. Wherefore, as Jimmy O'Shea would have said, if you'd asked him, "It's outing the other swine you're after, me bucko; not being outed yourself. Once you've got your manicured lunch hooks (as a phrase for hands I liked that sentence) on the blighter's throat, it's up to you to kill him before he kills you. And don't forget it's no dress rehearsal show. You won't fail twice."

Now I do not wish to appear over-bloodthirsty, or to pretend for one moment that war is a gigantic and