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THE SONG OF THE BAYONET

in nature because they don a khaki coat, or even because they go into the trenches. They have gone to a new school, that is all; and if they would do well they must learn all the lessons—the many and very divergent lessons—they are taught. For in the hotch-potch of war there is a strange mixture of the material and the spiritual; and though at present I am concerned with the former, the latter is just as important. It is the material side of which the men such as Jimmy O'Shea are the teachers. Unless the pupils learn from the O'Sheas, they will have to do so from the Hun. And the process may not be pleasant. ...

There are many branches of the main lesson: the counters in the game may be shells or bombs or rifle bullets or bayonets. But the method of scoring is the same in each case—one down or one up. And of them all the bayonet is the counter which is at once the most deadly and the most intolerant of mistakes. A good friend, a hard taskmaster is the bayonet, and O'Shea was the greatest of all its prophets. ... The main object of his life was to imbue his men, and any one else he could persuade to listen, with its song. His practical teaching was sound, very sound; his verbal lashings were wonderful, unique. He'd talk and talk, and one's joy was to watch his audience. A sudden twitch, a snap of the jaw, and a bovine face would light up with unholy joy. The squad drawn up ready for practice, with the straw-filled sacks in front of them, would mutter ominously, and teeth would show in a snarl. Absurd, you say; not a bit; just a magnetic personality, and men of the right