This page has been validated.
THE POET PHINEAS
219

with time on his hands and a patient determination to record the native music faithfully, at any sacrifice of time and temper, was an opportunity not to be neglected. Soon after our arrival, therefore, we paid a visit to Mua, where the old music is most cultivated, and invited the people to entertain us with the Lakalaka, for we had naval officers with us, and the Otuhaka is strong meat for the uninitiated. At the close of the performance I sent for the leader, Finease (which is Phineas), and unfolded my proposal, which was that, for value to be received, he and a select band of musicians of the old school should come to Nukualofa and sing without ceasing until they had yielded up their treasures to the paper. Plainly they thought it a fatuous proceeding, but they consented lightly, not knowing what lay before them.

Three mornings later we were at work in the huge wooden shed which serves Dr. Maclennan as operating-room and hospital. At the further end lay two patients who had undergone serious operations on the previous afternoon; what they thought of our proceedings I do not know, but I could make a shrewd guess from the expression of the old ladies who were nursing them. Amherst Webber sat at a deal table littered with music-paper, with Phineas and three middle-aged ladies, all noted singers, sitting in a row on the floor before him. He wore a harassed air, for it soon transpired that the ladies, thinking that they knew better than he did what he wanted, were bent on running through their répertoire without encore. When I explained that they would have to sing each phrase, not twice, but perhaps forty times over, they were at first amused and afterwards distinctly bored. Webber found it impossible to take