wards withdrew to the refectory, where the food-offerings were consumed by the participants in the solemn act of worship, and the sansai, or thanksgiving service, was conducted by the kandomo of the Ministry of Religion.
The sacred horses were then led eight times round the temple by the grooms of the Mikado's stables, who received a draught of consecrated sake as their reward. The general of the body-guard next directed some of his men to perform the dance called Adzuma-mahi, and when they had finished a meal of rice was served to them with much ceremony by the Mikado's cooks. At the command of the Vice-Minister of Religion, the harpists and flute-players were summoned to perform a piece of music, called mi koto fuwe ahase (the concert of harp and flute); the flutes played a short movement alone, and were then joined by the harps, whereupon the singers struck in. An officer of the Ministry of Religion sang the first few bars, and the official singers finished the piece. This was followed by one of the dances called Yamato-mahi, performed in turn by the principal priests of the temple, by members of the Fujihara family and by the Vice-Minister of Religion himself. After the sake-cup had been passed round three times, the company clapped their hands once and separated. Then everybody adjourned to the race-course, and the day was wound up with galloping matches.
The norito (No. 2 of the Yengishiki) read on this occasion has been translated by Sir Ernest Satow. It is of minor interest.
Hirose Oho-imi no Matsuri (service in honour of the Food-Goddess of Hirose).—The norito of this ceremony (No. 3 of the Yengishiki) announces offerings to the Food-Goddess and makes promise of more if good harvests are granted by her. The Gods of the ravines which supply water for irrigating the Crown-farms are joined with her in this service. Sir E. Satow has translated this norito. It contains nothing of special interest.
