of a Mikado's mitama (spirit). In another case the mitama of the Mikados are called upon to punish oath-breakers. Yamato-dake's mitama is in one place said to have been changed into a white bird. Of the mitama of ordinary undeified human beings there is no mention in the Kojiki or Nihongi; but, of course, this may be owing to the imperfection of the record. Tamashiï a derivative of tama, is the ordinary word for soul at the present day, and is undoubtedly of considerable antiquity. Still there are cases where we should expect to find mitama spoken of, but where a more material conception—namely, that of metamorphosis—takes its place. Among several instances of this kind may be quoted that of Yamato-dake. He died, and was buried, upon which he took the form of a white bird, which flew away leaving the tomb empty. The modern name for ghost testifies to the prevalence of this conception in Japan. It is bake-mono, or "transformation," and is applied to foxes which change into human form as well as to the ghosts of the dead and to hobgoblins of uncertain origin. Bake-mono are not worshipped in Japan, any more than ghosts are with ourselves, but there is a beginning of reverence to them in the honorific particle o which is frequently prefixed to the word, especially by women. There are no proper ghosts in the Kojiki or Nihongi, although the writers of these works were fond of recording strange and miraculous occurrences. The metamorphosed appearances mentioned in them are never phantoms with a resemblance to the human form, and possess no spiritual qualities. Even now the bakemono, though differing little from our ghost, is quite distinct from the human mitama or tamashiï (soul).
Tama, as we have seen above,[1] may mean either a jewel, a round object, or the effluence of a deity or a spirit. Here literal-minded Dullness, with whom the Gods themselves contend in vain, leaps to the conclusion that the
- ↑ See p. 27.
