to describe a noun by an adjective made out of itself does not add anything to it. The theory would be good if it were true. But air is not always airy. Mere atmospheric air is not airy air. On that dewy morning when the lion rose and shook himself, it was a time when the air was in motion; the zephyrs of morning were abroad. The adjective "airy" has become incorporated in the language as expressing light and changeful qualities. Why then should not a poet who wishes to make live air be allowed to robe it in its qualities? Nothing else will do to describe it, for air is unique. Without this adjective it is not a moving morning.
Fourth. In editing Shakespeare we should be guided by his own practice more than by our logical theory. In "Lucrece" Shakespeare unquestionably uses the expression "dear dear," the first word being an adjective and the second a noun (line 1602). Any theory as to what Shakespeare would do must be discountenanced by what he did do; and this would warrant us in letting "airy air" alone. Moreover, when Shakespeare wished to convey the idea of mere air, simple scientific atmosphere, motionless and still, he was careful to use words that would say it; therefore we have in "Macbeth," "the casing air." That is to say, the globe-encircling or surrounding air. The idea conveyed to the mind is motionless; the attention is concentrated on atmosphere itself. And so, as Shakespeare was so particular, it is reason-
