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fault — still has value and will tomorrow have more.

Sandburg, when uninspired by intimacies of the eye and ear, runs into this empty symbolism. Such poets of promise as ruin themselves with it, though many have major sentimental faults besides.

Marianne Moore escapes. The incomprehensibility of her poems is witness to at what cost (she cleaves herself away) as it is also to the distance which the most are from a comprehension of the purpose of composition.

The better work men do is always done under stress and at great personal cost.

It is no different from the aristocratic compositions of the earlier times, The Homeric inventions

but

these occured in different times, to this extent, that life had not yed sieved through its own multiformity. That aside, the work the two-thousand-year-old poet did and that we do are one piece. That is the vitality of the classics.

So then — Nothing is put down in the present book — except through weakness of the imagination — which is not intended as of a piece with the « nature » which Shakespeare mentions and which Hartley