Page:Territory in Bird Life by Henry Eliot Howard (London, John Murray edition).djvu/211

Spasmodic outbursts of this kind, stimulated by an isolated utterance, are by no means uncommon. But not only does song stimulate song; under certain conditions it has the still more remarkable effect of arousing hostility. The boundary that separates two adjoining territories is by no means a definite line, but rather a fluid area wandered over by this owner at one moment, by that at another. Now so long as the bird is silent while in this area, the probability is that it will escape detection and remain unmolested; let it however sing—it often does so—and it will not merely be approached but attacked, and consequently this area is the scene of much strife. The point to be noticed here is that the song brings about no withdrawal; it elicits a response, attracts instead of repelling, and, in short, arouses the impulse that is always predominant in the nature of the male when eventually it occupies a territory—the impulse of self-assertiveness. Therefore it seems clear that the different stages in the process of reproduction mark the appearance of different conditions, each of which renders some new impulse susceptible to stimulation, and that the significance of song depends upon the stage which happens to have been reached. Hence when we speak of song acting as a "warning," we do not mean that it arouses any sensation of fear; it is but a stimulus to that part of the inherited nature of the hearer which predominates at the moment.