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Honours Paid to Hephaestion.
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from him their requests.[1] He also gave them an offering to be conveyed to Asclepias, adding this remark:—" Although Asclepius has not treated me fairly, in not saving the life of my Companion, whom I valued equally with my own head."[2] It has been stated by most writers that he ordered honours to be always paid to Hephaestion as a hero; and some say that he even sent men to Ammon's temple to ask the god if it were allowable to offer sacrifice to Hephaestion as a god; but Ammon replied that it was not allowable. All the authorities, however, agree as to the following facts:—that until the third day after Hephaestion's death, Alexander neither tasted food nor paid any attention to his personal appearance, but lay on the ground either bewailing or silently mourning; that he also ordered a funeral pyre to be prepared for him in Babylon at the expense of 10,000 talents; some say at a still greater cost[3]; that a decree was published throughout all the barbarian territory for the observance of a public mourning.[4] Many of Alexander's Companions dedicated themselves and their arms to the dead Hephaestion in order to show their respect to him; and the first to begin the artifice was Eumenes, whom we a short time ago mentioned as having been at variance with him.[5] This he did that Alexander might not think he was pleased at Hephaestion's death. Alexander did not appoint any one else to be commander of the Companion cavalry in the place of Hephaestion, so that the name of that general might not perish from the brigade; but that division of cavalry was still called Hephaestion's and the


  1. Epidaurus in Argolis was celebrated as the chief seat of the worship of Aesculapius.
  2. This is an Homeric expression, meaning myself.
  3. Equal to £2,300,000. Plutarch (Alex. 72) agrees with Arrian. Diodorus (xvii. 115) and Justin (xii. 12) say 12,000 talents.
  4. Cf. Aelian (Varia Historia, Tu. 8); Diodorus (xvii. 114, 115); Plutarch(Alex. 72, 75; Eumenes, 2; Pelopidas, 34).
  5. See p. 392, note 3.