Page:The Gilded Age - Twain - 1874.pdf/127

This page has been validated.
FOOT LIGHTS AND MUSIC.
115

without feeling something of the flush of wealth, and unconsciously taking the elastic step of one well-to-do in this prosperous world.

Especially at night in the crowded theatre—Philip was too young to remember the old Chambers' Street box, where the serious Burton led his hilarious and pagan crew—in the intervals of the screaming comedy, when the orchestra scraped and grunted and tooted its dissolute tunes, the world seemed full of opportunities to Philip, and his heart exulted with a conscious ability to take any of its prizes he chose to pluck.

Perhaps it was the swimming ease of the acting on the stage, where virtue had its reward in three easy acts, perhaps it was the excessive light of the house, or the music, or the buzz of the excited talk between acts, perhaps it was youth which believed everything, but for some reason while Philip was at the theatre he had the utmost confidence in life and his ready victory in it.

PHILIP AT THEATRE.
PHILIP AT THEATRE.

Delightful illusion of paint and tinsel and silk attire, of cheap sentiment and high and mighty dialogue! Will there