dog's, the nose and lips thrust out together, the latter carrying a ragged red moustache and the whole curling outwards with perpetual scorn. John Elias was a dark watchful man in spectacles, with a black pointed beard; and he had learnt in many European cafés a taste for absinthe. The journalist's first and last feeling was how very like each other, after all, were John Elias and Jacob P. Stein. They were so like in face and mind and manner, that the millionaire might have disappeared down a trap-door in the Babylon Hotel and come up again in the stronghold of the Bolshevists.
The third man also had a curious taste in drinks, and his drink was symbolic of him. For what stood in front of the poet Horne was a glass of milk, and its very mildness seemed in that setting to have something sinister about it, as if its opaque and colourless colour were of some leprous paste more poisonous than the dead sick green of absinthe. Yet in truth the mildness was so far genuine enough; for Henry Horne came to the camp of revolution along a very different road and from very different origins from those of Jake, the common tub-thumper, and Elias, the cosmopolitan wire-puller. He had had what is called a careful upbringing, had gone to chapel in his childhood, and carried through life a teetotalism which he could not shake off when he cast away such trifles as Christianity and marriage. He had fair hair and a fine face
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