subjects. But he should have remembered, that what is fit for every thing can fit no thing well. The great pleasure of verse arises from the known measure of the lines, and uniform structure of the stanzas, by which the voice is regulated, and the memory relieved.
If the Pindarick style be, what Cowley thinks it, the highest and noblest kind of writing in verse, it can be adapted only to high and noble subjects; and it will not be easy to reconcile the poet with the critick, or to conceive how that can be the highest kind of writing in verse which, according to Sprat, is chiefly to be preferred for its near affinity to prose.
This lax and lawless versification so much concealed the deficiences of the barren, and flattered the laziness of the idle, that it immediately overspread our books of poetry; all the boys and girls caught the pleasing fashion, and they that could do nothing else could write like Pindar. The rights of antiquity were invaded, and disorder tried to break into the Latin: a poem[1] on the Sheldonian Theatre, in
- ↑ First published in quarto, 1669, under the title of "Carmen Pindaricum in Theatrum Sheldonianum in solennibus
magnifici
