He who writes much will not easily escape a manner, such a recurrence of particular modes as may be easily noted. Dryden is always another and the same; he does not exhibit a second time the same elegances in the same form, nor appears to have any art other than that of expressing with clearness what he thinks with vigour. His style could not easily be imitated, either seriously or ludicrously; for, being always equable and always varied, it has no prominent or discriminative characters. The beauty who is totally free from disproportion of parts and features cannot be ridiculed by an overcharged resemblance.
From his prose, however, Dryden derives only his accidental and secondary praise; the veneration with which his name is pronounced by every cultivator of English literature is paid to him as he refined the language, improved the sentiments, and tuned the numbers of English Poetry.
After about half a century of forced thoughts, and rugged metre, some advances towards nature and harmony had been already made by Waller and Den-
