example to men of his own class, by devoting part of his time to elegant knowledge; and who has shewn, by the subjects which his poetry has adorned, that it is practicable to be at once a skilful sportsman and a man of letters.
Somervile has tried many modes of poetry; and though perhaps he has not in any reached such excellence as to raise much envy, it may commonly be said at least, that "he writes very well for a gentleman." His serious pieces are sometimes elevated, and his trifles are sometimes elegant. In his verses to Addison, the couplet which mentions Clio is written with the most exquisite delicacy of praise; it exhibits one of those happy strokes that are seldom attained. In his Odes to Marlborough there are beautiful lines; but in the second Ode he shews that he knew little of his hero, when he talks of his private virtues. His subjects are commonly such as require no great depth of thought or energy of expression. His Fables are generally stale, and therefore excite no curiosity. Of his favourite, The Two Springs, the fiction in unnatural, and the moral inconsequential. In his Tales there is too much coarseness, with too little care of lan-
