conceits, or clash of wit, in which nothing flows necessarily from the occasion, or is dictated by nature. The characters both of men and women are either fictitious and artificial, as those of Heartwell and the Ladies; or easy and common, as Wittol a tame idiot, Bluff a swaggering coward, and Fondlewife a jealous puritan; and the catastrophe arises from a mistake not very probably produced, by marrying a woman in a mask.
Yet this gay comedy, when all these deductions are made, will still remain the work of very powerful and fertile faculties: the dialogue is quick and sparkling, the incidents such as seize the attention, and the wit so exuberant the it "o'er-inform its tenement."
Next year he gave another specimen of his abilities in The Double Dealer, which was not received with equal kindness. He writes to his patron the lord Halifax a dedication, in which he endeavours to reconcile the reader to that which found few friends among the few friends among the audience. These apologies are always useless: "de gustibus non est disputandum;" men may be convinced, but they cannot be pleased, against their will. But though taste is obsti-
