actually palpable, so full was it of the ecstasy and joy of living. The singing was inimitable; the work of the chorus apparently spontaneous and unstudied. Emotionally they garnished their threadbare plots and comedy tricks with the genius
of a new comic art.
The performers in all three of these productions gave out an impression of sheer happiness in living such as I have never before seen on any stage except in a riotous farce which I once saw in Vienna and where the same effect of superabundant vitality was induced. It is this quality of vivid and untheatrical portrayal of sheer emotion which seems likely to be the Negro's chief contribution to the stage. A comedy made up of such ingredients as the music of Sissle and Blake, the quaint, irresistible humor of Miller and Lyles, the quintessence of jazzdom in the Charleston, the superlativeness of Miss Mills' happy abandon could know no equal. It would be the line by which all other comedy would have to be measured. Behind the banalities and clap-trap and crudities of these shows, this supervitality and joyousness glow from time to time in a given step or gesture or in the teasing assurance of such a line as: "If you've never been vamped by a brown-skin, you've never been vamped at all.”
And as Carl van Vechten recently in his brilliant article, Prescription for the Negro Theater, so pointedly advises and prophesies, once this spirit breaks through the silly "childish adjuncts of the minstrel tradition" and drops the unworthy formula of unoriginal imitation of the stock revues, there will be released on the American stage a spirit of comedy such as has been rarely known. ***** The remarkable thing about this gift of ours is that it has its rise, I am convinced, in the very woes which beset us. Just as a person driven by great sorrow may finally go into an orgy of laughter, just so an oppressed and too hard driven people breaks over into compensating laughter and merriment. It is our emotional salvation. There would be no point in mentioning this rather obvious fact were it not that it argues also the possession on our part of a histrionic endowment for
