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THE NEGRO AND AMERICAN TRADITION
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a spinning machine, or the democratic theory of society, or a fork, or the alphabet as much a cultural fact as a symphonic tone-poem, a novel, or an oil painting.

We may best come to an understanding of culture through a consideration of some of the phases of primitive life, where the forces at work are not overshadowed by the great imponderable fact of dense masses of population. As we look over the world, we see that there is no group of men, however simply they may live their lives, without the thing we call culture. And, what is more important, the culture they possess as the result of their own historical background-is an adult affair, developed through long centuries of trial and error, and something constantly changing. Man, it has been said, is a culture-building animal. And he is nowhere without the particular culture which his group have built. It is true that the kinds of culture which he builds are bewilderingly different—to compare the civilization of the Eskimo, the Australian, the Chinese, the African, and of ourselves leaves the student with a keener sense of their differences, both as to form and complexity, rather than with any feeling of resemblances among them. But one thing they do have in common: the cultures, when viewed from the outside, are stable. In their main elements they go along much as they always have gone, unless some great historical accident (like the discovery of the steam engine in our culture or the intrusion of the Western culture on that of the Japanese or the transplanting of Negro slaves from Africa to America) occurs to upset the trend and to direct the development of the culture along new paths. To the persons within the cultures, however, they seem even more than just stable. They seem fixed, rigid, all-enduring—indeed, they are so taken for granted that, until comparatively recent times, they were never studied at all.

But what is it that makes cultures different? There are those, of course, who will maintain that it is the racial factor. They will say that the bewildering differences between the cultures of the Englishman, the Chinaman, the Bantu and the Maya, for example, are the result of differences in innate racial endowment, and that every race has evolved a culture