Page:The Real Thing (New York & London, Macmillan & Co., 1893).djvu/165

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NONA VINCENT.
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never remember afterwards what reasons Mr. Loder had enumerated. He liked, in the whole business of discussion and preparation, even the things he had thought he should probably dislike, and he revelled in those he had thought he should like. He watched Miss Violet Grey that evening with eyes that sought to penetrate her possibilities. She certainly had a few; they were qualities of voice and face, qualities perhaps even of intelligence; he sat there at any rate with a fostering, coaxing attention, repeating over to himself as convincingly as he could that she was not common—a circumstance all the more creditable as the part she was playing seemed to him desperately so. He perceived that this was why it pleased the audience; he divined that it was the part they enjoyed rather than the actress. He had a private panic, wondering how, if they liked that form, they could possibly like his. His form had now become quite an ultimate idea to him. By the time the evening was over some of Miss Violet Grey's features, several of the turns of her head, a certain vibration of her voice, had taken their place in the same category. She was interesting, she was distinguished; at any rate he had accepted her: it came to the same thing. But he left the theatre that night without speaking to her—moved (a little even to his own mystification) by an odd procrastinating impulse. On the morrow he was to read his three acts to the company, and then he should have a good deal to say; what he felt for the moment was a vague indisposition to commit