"Oh, Miss Tramore!" Captain Jay interposed. He added quickly, vaguely, and with a want of presence of mind of which he as quickly felt ashamed: "Do none of your family—?" The question collapsed; the brilliant girl was looking at him.
"We're extraordinarily happy," she threw out.
"Now that's all I wanted to know!" he exclaimed, with a kind of exaggerated cheery reproach, walking on with her briskly to overtake her mother.
He was not dining at their inn, but he insisted on coming that evening to their table d'hôte. He sat next Mrs. Tramore, and in the evening he accompanied them gallantly to the opera, at a third-rate theatre where they were almost the only ladies in the boxes. The next day they went together by rail to the Charterhouse of Pavia, and while he strolled with the girl, as they waited for the homeward train, he said to her candidly: "Your mother's remarkably pretty." She remembered the words and the feeling they gave her: they were the first note of new era. The feeling was somewhat that of an anxious, gratified matron who has "presented" her child and is thinking of the matrimonial market. Men might be of no use, as Mrs. Tramore said, yet it was from this moment Rose dated the rosy dawn of her confidence that her protégée would go off; and when later, in crowded assemblies, the phrase, or something like it behind a hat or a fan, fell repeatedly on her anxious ear, "Your mother is in beauty!" or "I've never seen her look better!" she had a faint vision of the
