This page has been proofread, but needs to be validated.
200
THE RED TRIANGLE

seeing that you had met the man in one of his villainies—with the idea of enlisting your aid. But I reflected that you would probably make yourself no party to a plan of private revenge, and I hesitated. And then—then, a little more than a week ago, I saw the man himself! Changed, without doubt, but not half as much changed as I am myself. Nevertheless, sure as I am of him now, I hesitated then. For it was here in the meadow that you know, near the barn, and the thing seemed so likely to be illusion that I almost suspected my senses. It was dusk, and he was walking and talking with another man, a good deal younger. And presently, while I was still confounded with surprise, and as they passed behind a clump of trees, Mayes was gone, and I saw his companion alone. He was a young man—an artist, it would seem, with sketch-book and colours."

I started, and Hewitt and I glanced at each other. Peytral saw it and paused. "Never mind," said Hewitt. "Please go on."

"After that I came out every night, in the hope of seeing my enemy again. On several evenings I saw the young artist waiting by the barn expectantly, but nobody joined him. I found that this young man was lodging at a cottage in the village, and I resolved not to lose sight of him.