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THE VAMPIRE

broken battlements showed a jagged line against the moonlit sky.” Very adroitly are the various incidents managed in their quick succession, those mysterious happenings which at last convince the matter-of-fact commonplace young solicitor of Exeter that he is a helpless prisoner in the power of a relentless and fearful being. The continual contrasts between business conversations, the most ordinary events of the dull listless days, and all the while the mantling of dark shadows in the background and the onrushing of some monstrous doom are in these opening chapters most excellently managed.

So tense a strain could not be preserved, and consequently when we are abruptly transported to Whitby and the rather tedious courtships of Lucy Westenra, who is a lay figure at best, we feel that a good deal of the interest has already begun to evaporate. I would hasten to add that before long it is again picked up, but it is never sustained in the same degree; and good sound sensational fare as we have set before us, fare which I have myself more than once thoroughly enjoyed, yet it is difficult not to feel that one’s palate has been a little spoiled by the nonpareil of an antipast. This is not to say that the various complications are not sufficiently thrilling, but because of their very bounty now and again they most palpably fail of effect, and it can hardly escape notice that the author begins to avail himself of those more extravagant details of vampirism which frankly have no place outside the stories told round a winter’s hearth. It would have been better had he confined himself to those particulars which are known and accepted, which indeed have been officially certified and definitely proved. But to have limited himself thus would have meant the shortening of his narrative, and here we return to the point which was made above.

If we review Dracula from a purely literary point of approach it must be acknowledged that there is much careless writing and many pages could have been compressed and something revised with considerable profit. It is hardly possible to feel great interest in the characters, they are labels rather than individuals. As I have said, there are passages of graphic beauty, passages of graphic horror, but these again almost entirely occur within the first sixty pages. There are some capital incidents, for example the method by which Lord