the prints on the opposite wall to a faint yellow colour, so that "The Coliseum" was scarcely to be distinguished from Queen Alexandra playing with her Spaniels. A pair of wicker arm-chairs by the fireside invited one to warm one's hands at a grate full of gilt shavings; a great lamp swung above the table—the kind of lamp which makes the light of civilisation across dark fields to one walking in the country.
"It's odd that every one should be an old friend of Mr. Pepper's," Rachel started nervously, for the situation was difficult, the room cold, and Helen curiously silent.
"I suppose you take him for granted?" said her aunt.
"He's like this," said Rachel, lighting on a fossilised fish in a basin, and displaying it.
"I expect you're too severe," Helen remarked.
Rachel immediately tried to qualify what she had said against her belief.
"I don't really know him," she said, and took refuge in facts, believing that elderly people really like them better than feelings. She produced what she knew of William Pepper. She told Helen that he always called on Sundays when they were at home; he knew about a great many things—about mathematics, history, Greek, zoology, economics, and the Icelandic Sagas. He had turned Persian poetry into English prose, and English prose into Greek iambics; he was an authority upon coins, and—one other thing—oh yes, she thought it was vehicular traffic.
He was here either to get things out of the sea, or to write upon the probable course of Odysseus, for Greek after all was his hobby.
"I've got all his pamphlets," she said. "Little pamphlets. Little yellow books." It did not appear that she had read them.
"Has he ever been in love?" asked Helen, who had chosen a seat.
This was unexpectedly to the point.
"His heart's a piece of old shoe leather," Rachel declared, dropping the fish. But when questioned she had to own that she had never asked him.
"I shall ask him," said Helen.
