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ceive its stamp as useful, mischievous, or nugatory, from its execution? not necessarily, and in its changeless state, to be branded as a mere vehicle for frivolous, or seductive amusement? If many may turn aside from all but mere entertainment presented under this form, many, also, may, unconsciously, be allured by it into reading the severest truths; who would not even open any work of a graver denomination.
What is it that gives the universally acknowledged superiority to the epic poem? Its historic truth? No; the three poems, which, during so many centuries, and till Milton arose, stood unrivalled in celebrity, are, with respect to fact, of constantly disputed, or, rather, disproved authenticity. Nor is it even the sweet witchery of sound; the ode, the lyric, the elegiac, and
