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FROM THE RUINED HOUSE
 

it has been convenient to describe them first, on account of the extraordinary glittering mechanism I saw busy in the excavation, and on account of the strange creatures that were crawling slowly and painfully across the heaped mould near it.

The mechanism it certainly was that held my attention first. It was one of those complicated fabrics that have since been called handling-machines, and the study of which has already given such an enormous impetus to terrestrial invention. As it dawned upon me first it presented a sort of metallic spider with five jointed, agile legs, and with an extraordinary number of jointed levers, bars, and reaching and clutching tentacles about its body. Most of its arms were retracted, but with three long tentacles it was fishing out a number of rods, plates, and bars which lined the covering and apparently strengthened the walls, of the cylinder. These, as it extracted them, were lifted out and deposited upon a level surface of earth behind it.

Its motion was so swift, complex, and perfect that at first I did not see it as a machine, in spite of its metallic glitter. The fighting-machines were co-ordinated and animated to an extraordinary pitch, but nothing to compare with this. People who have never seen these structures, and have only the ill-imagined efforts of artists or the imperfect descriptions of such eye-witnesses as myself to go upon, scarcely realise that living quality.

I recall particularly the illustration of one of the first pamphlets to give a consecutive account of the war. The artist had evidently made a hasty study

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