Page:The Works of J. W. von Goethe, Volume 4.djvu/132

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TRUTH AND FICTION

showed the Spaniard rather than the Frenchman; his caprices, which were not without their influence on his business; his unbending will under all circumstances; his susceptibility as to whatever had reference to his person or reputation,—all this together might perhaps sometimes bring him into conflict with his superiors. Add to this, that he had been wounded in a duel, which had arisen in the theatre, and it was deemed wrong that the king's lieutenant, himself chief of police, should have committed a punishable offence. As I have said, all this may have contributed to make him live more retired, and here and there perhaps to act with less energy.

Meanwhile, a considerable part of the pictures he had ordered had been delivered. Count Thorane passed his leisure hours in examining them; while in the aforesaid gable-room he had them nailed up, canvas after canvas, large and small, side by side, and, because there was want of space, even one over another, and then taken down and rolled up. The works were constantly inspected anew, the parts that were considered the most successful were repeatedly enjoyed, but there was no want of wishes that this or that had been differently done.

Hence arose a new and very singular operation. As one painter best executed figures, another middle-grounds and distances, a third trees, a fourth flowers, it struck the count that these talents might perhaps be combined in the paintings, and that in this way perfect works might be produced. A beginning was made at once, by having, for instance, some beautiful cattle painted into a finished landscape. But because there was not always adequate room for all, and a few sheep more or less was no great matter to the cattle-painter, the largest landscape proved in the end too narrow. Now also the painter of figures had to introduce the shepherd and some travellers: these deprived