each other of air, as we may say; and we marvelled that they were not all stifled, even in the most open country. No one could anticipate what was to come of the matter, and when it was finished it gave no satisfaction. The painters were annoyed. They had gained something by their first orders, but lost by these after-labours; though the count paid for them also very liberally. And, as the parts worked into each other in one picture by several hands produced no good effect after all the trouble, every one at last fancied that his own work had been spoiled and destroyed by that of the others; hence the artists were within a hair's breadth of falling out, and becoming irreconcilably hostile to each other. These alterations, or rather additions, were made in the before-mentioned studio, where I remained quite alone with the artists; and it amused me to hunt out from the studies, particularly of animals, this or that individual or group, and to propose it for the foreground or the distance, in which respect they many times, either from conviction or kindness, complied with my wishes.
The partners in this affair were therefore greatly discouraged, especially Seekatz, a very hypochondriacal, retired man, who, indeed, by his incomparable humour, was the best of companions among friends, but who, when he worked, desired to work alone, abstracted and perfectly free. This man, after solving difficult problems, and finishing them with the greatest diligence and the warmest love, of which he was always capable, was forced to travel repeatedly from Darmstadt to Frankfort, either to change something in his own pictures, or to touch up those of others, or even to allow, under his superintendence, a third person to convert his pictures into a variegated mess. His peevishness augmented, his resistance became more decided, and a great deal of effort was necessary on our part to guide this "gossip;" for he was one also, according to the count's
